Tag Archives: storytelling

What if women ruled the news, or at least half of it?

Andrea Stone, Cami McCormick, Nancy Youssef, Anu Bhagwati, me

It takes a bit to wind down from the euphoria that buoyed me since I attended last weekend’s Journalism & Women Symposium (JAWS) in Asheville, N.C.

It’s a place where the content was deliberately offered in a context of all women journalists all about advancing themselves, each other and the notion that the profession should leap into equity with fervor. The message is that we can all learn new things, and that talented, smart women journalists can change the world. Or at the very least, a few media outlets, and a hell of a lot of minds.

I mean, enough already of the manly world of journalism. It is 2011.

So it is why once a year it is necessary to spend a few days with other women journalists, writers, innovators, academics and authors who understand what we all face without even saying a word. Even though we say lots of them.

From concrete technolgoical advice to the decades-enduring professional alliances and newfound friendships, I gathered what I needed to recharge, reinvigorate and come back to my work as an assistant professor at the Medill School at Northwestern University revved up.

Here are only a few things I learned:

1. Nancy Youssef, McClatchy’s chief Pentagon correspondence, described her job of storytelling in a war zone as ‘being in a very dark room with a very small flashlight.” She added about her coverage in Iraq and Afghansitan, “The story isn’t about me. At the end of the day, I could leave.”

2. Robin Phillips, web managing editor at the Reynolds Center for Business Journalism: “Twitter can figure out the Venn diagram of me.”

3. Megan Cottrell, journalist for the Chicago Reporter: “Information won’t always change people’s minds but if you tell stories that have empathy, you can change the way people think.”

4. Lisen Stromberg, journalist and brand specialist: “Branding is being consistent, being clear to everyone. Communicate your brand across platforms, all moving toward an end game.”

Back in my Medill office, all jazzed to tell my students about Storify, the latest Google tools and how to get internship possibilities with hyperlocal startups, I was interested to read about the Who Needs Newspapers? site. It’s an ambitious and uplifting project that documents the ephipanies and other insights from 50 editors at 50 small to medium sized newspapers in all 50 states. I read the comments voraciously.

And it hit me like a ton of urinal cakes.

Of all 50 editors, four were women– all white. Three men were non-white. One Asian, one Native American and one Hispanic. This is pretty dreadful representation. Despite Jill Abramson’s recent declaration that as a woman she brings no different senisbility to her duties as executive editor of the New York Times– the first ever woman in that post in the paper’s history– I disagree vehemently.

Of course a journalist is a journalist. But we ask different questions. We bring different experiences to our writing. The male and female brains are different for goodness sake.

For confirmation, I checked the April 2011 newsroom census (the latest available) from the American Society of News Editors . Once again it demonstrated the woeful lack of gender and racial diversity in newsrooms in this country. The number of minorities in newsrooms declined only slightly to less than 13 percent of all employes in the 847 news outlets that responded to the survey. In all, more than half, or 441 newspapers had no minorities on staff.

Women in newsrooms make up 36.92 percent of full-time employees. Not much difference over the last decade; it’s actually a return to the same percentages as existed in 1999, when Cher’s “Believe” was the No. 1 hit song and the Backstreet Boys were still boys.

No wonder I love the annual JAWS camp so much.

Which brings me to a game changer I have jumped into with both feet. The OpEd Project, founded in 2008 by Katie Orenstein, has a mission to tip the balance of thought leadership in this country by engaging smart women and men around the country into claiming their expertise and doing something about it, instead of sitting back and letting the same old chorus of mostly male, mostly white voices drown the rest of us out.

I have been involved as a mentor/editor for a few months with OpEd and am helping to assist this weekend in Chicago at Medill’s Chicago newsroom, in a core seminar where more than 30 community leaders, authors, journalists, doctors, nonprofit executive directors, judges, advocates and academics will convene. All have the goal of changing the world with their thought leadership.

Because as The OpEdProject research shows, the byline count and the headcount on talk shows is abysmally weighted against a diversity of voice. In its June-July 2011 byline survey, 18.49 percent of opinion pieces were written by women in the New York Times. That means 81.51 percent were written by men. That same month, 35.67 percent of opinion pieces pubslihed on Slate.com were by women. More than 64 percent were written by men.

Even pundits on tv shows are predominantly men, as pointed out oh so cleverly on Jezebel a few weeks ago.

The OpEdProject is actively addressing this brand of disparity. In Chicago a June core seminar proved so powerful and inspiring, that 20 opinion pieces (including several from me on Huffington Post and in the Chicago Tribune) were published in the past three months by 26 participants.

We are all hoping for more of the same from this weekend’s group. More inspiration, more ways to engage the world with new ideas from new voices.

I wrote in my 2008 book, Everyman News, that diversity of thought shifts content. And I tell my students– including those I urged on the reaction story assignment today– that whom you include as sources matters. You must seek out a diversity of source along lines of gender, age, race, outlook, income, geography and ability in every story. Because it makes the journalism better.

And the people who write those stories must also represent society. We simply must reach parity in newsrooms, in bylines, in opinion pieces.

That feeling I had of being understood, respected and accepted as a colleague among other feisty, ambitious, powerful women journalists last weekend at the JAWS conference in Asheville, N.C.? You see, I want that feeling all the time.

What if women ruled the news, or at least half of it?

It’s a lot to ask. But I am doing my part. Really, no kidding, I am doing my best.

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Oprah, don’t let the liar get you down

 

Oprah, please don’t apologize. Please don’t talk about the liar ever again. You are better than this.

It is beneath you to spend so much time on someone who could not disclose that his complicated story was not a cautionary tale,  but a fairy tale altogether. And fretting over his insincerity causes me a million little anxiety attacks. 

I don’t watch Oprah in the mornings not because I don’t want to watch Oprah  in the mornings. When she airs in my market at 9 a.m. , I am either in the car on the way to work at Northwestern University’s Medill School where I teach journalism students to write the truth, or I am already standing in front of an auditorium full of students, talking about reporting,writing and telling the truth in multimedia platforms.

So I watch at 11 p.m. for many reasons, and not the least is because I am a big fan. A big grateful fan.

So I squirmed through her interview last night with James Frey, the author of the made-up A Million Little Pieces, who purports not to care much for the truth. In his Oprah interview, he sounded all Midwestern English adjunct professorish with his interpretation of reality and his Tropic Of Cancer accolades, talking about how he was really like Picasso who didn’t really look like his distorted self-portrait and that he only agreed to say it was a memoir so he could get an advance from the publisher.

What a bunch of baloney.

In spite of his writerliness, Frey tells a million little lies in the book that apparently caused Oprah her biggest headache in 25 years. And he does not look or sound like a man filled with remorse. 

I have read and heard this morning about how tricky it is to tell and vet the truth in a memoir. Just ask Greg Mortenson about Three Cups of Tea.

But the truth is telling the truth is not hard at all.

My first book, a memoir, came out in 1999. It took me three years to write the painful story of my experience with my husband who was violent.

Having been a journalist for 20 years by that time, I was excruciatingly mindful of the need to perfectly articulate the truth, as a journalist, with the details, the facts and indisputable realities bolstering my story. The publisher had lawyers. I had a lawyer. I had documents for every claim.

And my ex-husband was a litigating attorney. So I had to be sure to get it right.

Every description was accurate, every moment recalled was double-checked with another source. The idea of telling a story that was not truthful would ruin my career as a journalist, professor of journalism and slay my integrity and credibility.

It is not that I  dared not. It never occurred to me to even try.  

I was extremely lucky to be a guest on Oprah’s show in June 2002 discussing that book and my writing book as well. The path to Harpo Studios was lined with dutiful and diligent producers and lawyers. I took tough questions in scores of interviews over the weeks, months and years from 1999 to 2002 to earn the chance to have Oprah ask me questions about my books before an audience of millions. 

I cannot fathom getting to that point on the tails of a big fat lie. But that is me. Some authors and journalists apparently consider misrepresentation a marketing plan.

In my classes I tell my students about the dangers of fabrication and plagiarism, about how each journalist needs to fiercely protect the brand that is his or her own byline. I tell my students to be proud of every word that goes beneath their names and to be able to defend it vigorously. Because your words live forever.

Be genuine in your writing, I tell them, whether telling the story of a fire or telling your own story. 

I also give writing workshops, mostly on memoir, and have one slated for this summer through Northwestern. And I tell those writers eager to publish their stories that they own their own history.

So here is what I know. About writing, as a journalist. As a memoirist: You own your truth. You own the right to tell it, so you do not have to be intimidated by anyone who attempts to thwart your storytelling. Because as I wrote in my second book, writing can save your life.    

But no one can save you if you lie. You don’t have any rights to lie just so you can get a contract.

It is not tricky at all. It is a simple truth. So go ahead. Tell it.

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Editors Try This: 100 Story Ideas in 100 minutes

  We’re not doing a great job as journalists covering issues of gender and family. I gave a presentation to the Associated Press Managing Editors and Suburban Newspapers of America editors at the Chicago Sun-Times last week and dared the editors to come up with 100 story ideas after my 100-minute talk about stories at the intersection of the economy and gender. 

 Before we broke for lunch, half the room said they did. We’ll see how many of those stories get reported, written and published.

But today The Wall Street Journal defies logic, facts, stats and anecdotal realities from thousands of sources and declared there is no wage gap. Really? On Equal Pay Day? It’s making me crazy. As a journalist, as a woman, as a journalism educator, as a parent of sons, as a thinking human being.

It’s the same old story of viewing the news through a lens of denial. 

I wrote about it in “Everyman News,” in the chapter, “Diversity of Thought Shifts Content.” If we cannot achieve parity of gender and race in newsrooms, and according to ASNE, (The American Society of Newspaper Editors) we can’t, then we can for sure make a point in our coverage of trying to be inclusive in our sourcing and expansive in our brainstorming. OR we can keep saying what is real is not really there.     

     The recent White House Council on Women & Girls’ report, “Women in America: Indicators of Social and Economic Well-Being,” contained the seeds for hundreds of story ideas and in particular broke down the wage gap. Compared to all workers:

•Black women earned 71 percent

•Hispanic women earned 62 percent
•White women earned 82 percent of what all men earned
•Asian women earned 95 percent
•White women to white men: 79 percent
•Black women to Black men: 94 percent
•Hispanic Women to Hispanic men: 90 percent
•Asian women to Asian men: 82 percent

     Read the rest of the report.  Absorb and dissect its contents. Among some of the stats are that women experience the highest poverty rates.It’s just that simple. If realities are denied, then the realities of the gender make-up of sources for the journalism is also denied.

•In 2011, only 27 percent of sources were female: The Gender Project
•In 2010, only 24 percent of the people heard or read about in print, radio and television news are female. In contrast, 76% – more than 3 out of 4 – of the people in the news are male: Global Media Monitoring Project
 
More from “Who Makes the News” on news  subjects:
-24 percent of the people heard or read on traditional platforms like newspapers, television and radio were female in the sample.
-23 percent of the news subjects on the 84 websites monitored were women.
•Story focus:
-13 percent of the news items in traditional media focus specifically on women.
-11 percent of the online news stories were centered around women.
•Authorship:
-41 percent of stories reported on traditional platforms were by female reporters in the same countries as the Internet pilot. Overall, 37 percent of stories in the whole sample were reported by women.
-36 percent of the news stories in the online samples were reported by women.
•Stereotypes:
-46 percent of the stories monitored in traditional media reinforced gender stereotypes, while only 6 percent challenged these stereotypes.
-42 percent of the online news stories were found to reinforce gender stereotypes and only 4 percent challenged them.

      OK, so it is quantified, and we are sick of reading the same old stories from the same bylines (PMS or pale, male and stale as my friends call it). Aren’t we sick of assigning and writing those stories too? 

I challenged the editors to go beyond the usual suspects and the same old thinking.  Come up with 100 story ideas today. Now.

Imagine a practice of journalism that involved consistently discovering news and stories by seeking new types of sources through academic, government, non-profit and grassroots organizations. Seek out stories that are hyperlocal, local, domestic or international with local ramifications. Beat the bushes to find story ideas that are citizen-driven and interactive. Learn from think tanks, centers on specific issues and trends. And for goodness sake, pay attention to what is happening out there in social media. And train every one of your staffers to be keenly observant.

It’s what I tell my students at the Medill School of Journalism at Northwestern University very quarter, whether in the Reporting & Writing or Multimedia Storytelling classes. I just talked about this yesterday in lab.

Stories looking at gender, family and marriage issues intersect with the economy in a myriad of ways. All you have to do is cast the net for news. Story ideas will swim in. You have to know what you’re looking for, not stop looking at what is there and not throw back a big fish when you can definitely use it in the future in a new way.
  
    According to the White House report, 18 percent of women 40-44 never had a child; 46 percent of women 25-29 never had a child. For me this is the reason Eat Pray Love sold a gazillion copies.   More older women are divorced or widowed. For me this is the reason Betty White and Helen Mirren are hot and hundreds of thousands of women nationwide are into Roller Derby, the latest fitness craze for “women  old enough to know better.”
       
This country has more single mothers and the highest poverty rates are women as heads of households. There is no end to the stories that can come from that sentence. Tell the single and married working mothers paying for childcare there is no wage gap and it is not impacting women and their children across the country.
 
Still, in all of this, I urged the editors in the conference room last weeek also not to just look for stereotypical woe-is-me, half-empty stories bemoaning the economy. I urged them to find inspirational,  multidimensional stories, and to write about the individuals and communities making a solid difference.  And tell the truth. See and report what is really there.
 
We’ll see what happens.

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The Storification Of America

 

Jim Houser with Obama

Robert and Gary Allen. Mrs. Waters of Bruce Randolph School. Kathy Proctor. James Howard. Jim Houser. Brandon Fisher. Not household names. Not celebrities. Not diplomats. All of these ordinary Americans were mentioned in President Obama’s State of the Union speech 2011. These citizens shared prominence with Gabby Giffords, the late Robert Kennedy, Dwight Eisenhower, the Secretary of Defense, al Qaeda, the Taliban and Sputnik.

    The score is 7-7. Unofficial sources to offficial sources. Two presidents, a Congresswoman, a cabinet secretary, two terrorist movements and a Russian space capsule. All had the same number of mentions as four business owners, a school principal, a mom going back to school and a cancer patient.

    What does it mean? So what? What may have become overused in the 2008 presidential race with Joe the Plumber is more widely evident today in all media. Our culture embraces the anecdotal power of the humanistic stories of individuals. And nowhere was it more noticable than in Obama’s speech Tuesday night.

     As I stress to my journalism students at the Medill School at Northwestern University, the rise of unofficial sources needed to flesh out every news and feature story is undeniable. The age of “official source stenography” is dead. The president knows this better than anyone and capitalizes on it. When the president of the United States mentions real people as often as he names diplomats in his annual address, something big has happened.

   I call it the Storification of America.

    

 Thanks to crowdsourcing,  social media, blogging and all forms of participatory journalism, there is a demand for communication to be inclusive. Away from top-down to bottom up, all in. It’s not such a rosy we’re-all-in-this-together appraoch, rather, it is a basic shift in the way that we understand information and how we look at the world. It is in thanks to a media relying on more unofficial sourcing in its reporting to articulate the truths of events, trends and issues, than in taking the word at face value of the official sources with the titles.

      We not only as citizens want to testify, we want to storify. And I did not make up the name.

       Storify.com is a new aggregating tool for social media users and anyone and everyone wanting to connect to current mainstream media and to add reliable sources to their blogs. As I see it, it is an attempt to upgrade the blogosphere from the “my dog is sleeping right now and I am brushing my teeth” to a more professional, polished arena for links to real stories, real posts, real video,real  audio, real photos and commentary vetted and published elsewhere. I hope it punctures a hole in the balloon of hearsay.

     My 2008 book, Everyman News, dealt with the overwhelming prepronderance of unofficial sources in news stories in domestic newspapers, and the growth of that trend. And why. There are many reasons driving the cultural shift to honor the individual and to consider the sanctity of story as peculiar to our time and place. 

      The use of “story” as a brand is nearly ubiquitious. It’s even on my drive to work where a billboard for a local college begs viewers to log on to read “mystory.”    

     Obama ended his speech with a reminder of the depth of reliance we have on story in America. He said:

From the earliest days of our founding, American has been the story of ordinary people who dare to dream. That’s how we win the future.

   We need to understand the growing storification of our lives as we move ahead as journalists, observers and contributors if any of this is going to make sense.

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Opportunity to Report Stories of Refugees is ‘So Damn Cool’

It’s what makes for outstanding journalism. Immersion in the setting. Getting close to those whose voices tell the personal story.

“It’s a reminder that if you can get close to the story, you will have a much better story and a much fuller appreciation for what is really going on,” said Jack Doppelt,  professor at the Medill School of Journalism, a colleague I am proud to call my mentor.

Doppelt just returned from an exhausting and exalting trip with seven students to Osire, Namibia to complete one-third of the reporting package for Refugee Lives, a fascinating and ambitious project chronicling the stories of refugees at their original refugee camps and others who have arrived in the United States from those camps.

“It’s true in anything you do, but you have to go to the place where something is happening to appreciate the detail, the nuances,” Doppelt said.  

Simultaneous with Doppelt’s trip, eight Medill students reported for four days from Amman, Jordan, under the guidance of Peter Slevin, veteran reporter and senior lecturer at Medill. Another five students accompanied Brent Huffman, documentarian and Medill assistant professor, to Dzaleka, Malawi. The students were dauntless, energized and bold in their reporting; and the stories they posted show their courage and talent.  

“There is a huge difference between dealing with refugees in Chicago and America and dealing with them there; the stories reflect that,” Doppelt said, who also founded and created the Immigrant Connect project from Medill.

The stories students captured in text, photos, video and audio are mesmerizing, not just because they portray the anecdotes and personal views of the refugees, but because they were prepared carefully and mindfully by young journalists learning the craft. Students, who in many cases, are sophomores.

“It really worked at the motivational level,” Doppelt said. “Students came away with, ‘This will change my life.’ They realized that and appreciated the opportunity to be there and so did I.”

Doppelt applauded members of the Medill team who worked on preparing and finalizing all the details for the project from home– Jeff Prah, Jeremy Gilbert, Lois Shuford, Caleb Melby and Katie Zhu.

“Whoever was a part of it, got this great opportunity,” Doppelt said. “When you do it, it’s so damn cool.”

In a few days I start teaching in a new winter quarter for the freshmen Medill students in Reporting & Writing as well as Multimedia Storytelling. I am proud to look back when most every one of those students who worked hard reporting on this refugee project from abroad were either one of my advisees or sat in a lecture or lab for those classes–in many cases just one year ago.

And now the learning process starts again. I wish for all those students I will see on Monday and Tuesday in the fundamental skills classes this quarter who are just launching their paths in journalism to look at the astounding accomplishments of their peers, only just ahead of them.

Jack Doppelt is right. It is so damn cool.

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Everything Matters as A Journalist and Why

I gave my last lecture of the quarter to nearly 70 freshmen at the Medill School of Journalism this week, in the basic fundamentals class, Reporting & Writing. I have been teaching this course in some iteration since 2001. It is never dull.

 “Everything Matters,” is a bookend to the first lecture, “Assume Nothing.” I like symmetry. The  Five W’s and one H apply to a journalist’s career. And here is the gist of the lecture. Minus the tuition.

  • Who. The strongest piece of this puzzle is who you are as a journalist. As you choose your platforms for success, consider that an agile journalist is a marketable journalist. The future is about diversification of skills. Also, remember to carefully select who you choose to be your mentor, whether it is an instructor, author, columnist, reporter or peer. This is one of a few professions I know where your success is about not based on who you know, but how you do. And who you are. Stop thinking you will inherit the opportunity to win the Pulitzer. My family is in the starter drive business. Not a lot of journalism cross-over.

            “You don’t write because you want to say something,” F. Scott Fitzgerald wrote.    “You write because you have something to say.” That is a reminder to remember the audience, an important “who” in your work. What they want and what they need from you will help you decide how you will reach them, what is best for your content and what is best for the reaction you intend.

       Your sources are another key “who.” Remember to be inclusive and expansive. Consider diversity of voice in every story you write, regardless of whether that diversity is transparent. Strive for a chorus of different voices. And fact-check to save the integrity of the people you quote and to preserve the dignity of your own byline. 

  • What.   The value of your content is determined by the text, visuals, sounds. Is your content fair, balanced and accurate? Is it orginal and creative? Is it ethical? Is this your best work. This is a tough question. You strive for every article, post, book or project to be a reflection of your best effort. Sometimes we fall short. But the goal is to aim for excellence every time.

          That means moving your content beyond formula to excellence, by showing enterprise in your reporting. Consider the writing as music with cadence, beats and melody. Even storytelling across platforms must be based on a solid idea. Consider what author Ansen Dibell does: “What you need to ask yourself about any story idea is whether it’s something too personal, something that’s very important to you, but would justifiably bore a stranger sitting next to you on a cross-country bus.”

    But here is where your precision as a writer, your mastery of eloquent prose comes in to play. Know that the craft matters. Author and narrative journalist Tracy Kidder said, “You can write about anything and if you write well enough, even the reader with no intrinsic interest in the subject will become involved. ” 

  •  Where. Do you get your information passively?  Wait for the press release, sit in the back at the press conference, answer the phone? No, you report with your feet. You gather sources and background from a multitude of online sources and social media, but you go out and observe. You talk to people face to face. You learn by being there. Remember that as a journalist, you are a witness. Roman Milisic wrote: “We are not all celebrities, we are not all supertalented, but in one way or another, we are all witnesses. Reality defines our vision of the world. And what we have seen, we must tell others. “

       Remember that where your content arrives matters. The where — ink on paper, sound, video, text on mobile or screen– influences how the user takes your story and ingests the information, interacts with it and passes it on. When creating the journalism, remember where it arrives affects the impact.

  • When. Perhaps the most difficult first lesson in this course is meeting the deadline. Timing matters. When you meet the deadline. When your story arrives. The newsworthiness is determined by the timeliness. Is your story fresh? Is your story first? And does your audience need it now? But first is not best if it is not the whole story. If it is wrong. Or if it could be better if you spent more time, did more digging, polishing, or all of the above.

     Your worth as a journalist hinges upon your understanding of timing. Are you able to stay ahead of trends? React quickly? Assess the news value of any event or interview? True, every kind of story has been written before. But not by you. “Be yourself. The world worships the original,” Jean Cocteau wrote.

  • How.  Yes, it matters how you behave to sources, editors, peers and the audience. Be humble. Ask for clarification. How you report, how you write and how you deliver the content determine your value as a journalist. All great journalists internalize a solid code of ethics. Understand that the how is as critial as the who, what, where, when and why. Because your reputation outlives your content.

     How you improve your content is by asking for clarification when you don’t understand. Re-report. Add more layers. Rewrite. Work in layers. Write in layers. Revise. Let the content breathe, take stuff out. Put more stuff in. Janet Bukovinsky wrote: “Ask anyone who makes a living with words: Writing is hard work. To be a writer is not nearly as significant an achievement as is the act of having written something fine and eloquently.”

     How you are received matters. How well you do your job and how you are noticed are significant factors. How much passion you have for your work  matters. Is this more than a profession for you? It is for me. Try to find the magic in the work. Toni Morrison wrote,  “If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic.”

  •      Why.  Ask yourself why you are doing this story. Understand why your sources want to be included–or not. Know why your audience wants the story. Find the answer if you don’t have one immediately. But never forget to ask yourself, “Why are you here?” Dare to be good at what you do. Believe that your work matters and that everything you do as a journalist matters. There are no secrets you can keep as a journalist. Your professional life is transparent and avaliable for anyone to discover.

       Resist compacenecy. Erica Jong wrote, “The trouble is if you don’t risk anything you risk even more.” Take a risk writing a new kind of story. Take a risk by finding new sources and trying new avenues of storytelling. Experiment with audio, video, photo and graphics. Improve who you are and how you work as a journalist. Jacqueline Kennedy Onassis wrote,” Once you express yourself, you can tell the world what you want from it. Then you can change the world.” Your journalism matters. Your journalism can change the world. A small piece of it, or the whole darn thing.

     I will say it again, everything matters.  

   But most importantly, remember that journalism and this course are each like a long road trip. You can spend your time looking at the lint in the car seat and worrying about how much gas will cost at the next station 100 miles away. You can also spend your energy complaining about AP Style and grammar quizzes, current events or the speech story assignment. You can keep yourself panicked about points and grades.

      Or you can look out the window. Realize how far you have come. And enjoy the view.  

    

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Women Journalists Making Sense Not Noise Across the Border

     

    In an amazing panel moderated by Teresa Puente of Columbia College, Chicago, four young women journalists covering the U.S./Mexico border revealed the dangers, tragedies and critical importance of telling the stories of the chaos at the border. They spoke at the Journalism & Women Symposium in Boerne, Texas last weekend. 

      “How many people need to die so some people at a party can have a gram of cocaine?” asked Judith Torrea, a Spanish-born journalist and blogger. Torrea documents stories out of Juarez, Mexico  about the drug deaths, cartels and daily violence in the violence-torn city for television, magazines and newspapers in the U.S., Mexico and Europe. 

     “We are journalists and we are women and if you have the power, you need to start reporting,” Torrea said.  “Get people to think that if they consume marijuana, how many people have to die for that?”

        Angela Kocherga, Mexico City bureau cheif for Belo Corp., talked about the  urgency of covering “the most violent time in Mexico history.” Access to information in Mexico, where the press is censored, is difficult. “People have to look at Facebook and Twitter to see the crimes. ” She added, “There are not a lot of U.S. journalists doing this coverage.” 

     Monica Ortiz Uribe, a freelance radio reporter said she has a passion to report the underreported stories, particularly the new round of disappearances of young girls from the streets of Juarez. Last week a young woman was taken from a bus and has disappeared, some say as a victim of sex trafficking, and others fear she has been murdered. The stark, desolated city is dangerous because of the safety threats to everyone who lives there, she said.

     “There are daily deaths,” she said.  

      A native of Mexico, Adriana Gomez Lion is a staff reporter at the El Paso Times, where she says her coverage sparks comments from readers that range from congratulatory to incendiary, racist and shocking.  

    All of these women are committing journalism that is crucial to know not just near the border, but around the globe. Whenever anyone harangues about the death of invetsigative, important journalism and the preponderance of dumbed-down, celebrity muck, I will speak of these women journalists who make sense, not noise.

     It was an eye-opener to remind me, and all of us, just what the point is as journalists. Tell the astounding stories the world needs to know. And be courageous enough to do so.

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